How to Read a Private Art Catalogue (Without Feeling Stupid)
The first time you open a private art catalogue, you might feel a bit like you’ve just walked into the wrong room.
There’s no “buy” button. The sizes are vague. Prices are a range, not a fixed number. Some pieces are “open edition,” others are “limited,” and you’re not sure if that means they’re more valuable or just more exclusive. There are rolled options, stretched options, mentions of “museum-grade” and “archival,” and… you’re just trying to find something you like without sounding naive.
Let me say this clearly: the confusion you’re feeling? It’s not because you’re stupid. It’s because the art world is intentionally vague, emotionally cold, and historically elitist, especially when it comes to selling.
Most catalogues are written for insiders. People who already know what to ask, how to ask, and what to pretend they understand. But that’s not the kind of work I make. And this isn’t that kind of guide.
This is a walk through. A demystification. A calm explanation for people who don’t come from galleries, but who are deeply emotional, sensitive, and know exactly how a piece of art can change the way a space feels.
So whether you’re here because something in the catalogue stayed with you, or you’re quietly curious but unsure where to start, welcome. You’re not late. You’re right on time.
First, let’s talk about why this is even private
The Vault catalogue isn’t public because this work isn’t made for everyone.
This isn’t about exclusivity. It’s about intimacy. These pieces are not designed to match furniture or chase trends. They are emotionally anchored. They’re built slowly, held in stillness, and offered to people who will live with them intentionally.
By keeping the catalogue private, I’m not gatekeeping. I’m slowing things down.
That alone changes the dynamic. You’re not here to grab the last one in your size. You’re here because something in the work asked you to pause, and you listened.
This pause is the real beginning.
You are already qualified to be here
If you’re waiting to “know more about art” before you inquire, let me stop you right there.
My collectors are not the ones who went to art school. They’re not chasing trends. They’re not buying for investment or show. They’re the ones who saw a piece and felt something in their chest, a weight, a mirror, a deep exhale.
You don’t need to know how to talk about art. You need to know how to feel.
And you already do.
You might not have the words yet, but if a piece is still on your mind hours or days after you saw it, that’s enough. That’s how this work speaks. Quietly. Persistently. Without performance.
What you’re looking at: museum-grade, slow-made canvas prints
Let’s be clear: these are not posters. They are not digitally or AI created, factory-made pieces. They are not mass-replicated with a high-gloss finish. And they’re definitely not cheap.
Every piece you see is printed on museum-grade canvas using archival, pigment-based inks. These are printed-to-order artworks, crafted at certified fine art studios, and handled individually.
Some are open edition. Others are limited. A few are hand-embellished.
What matters more than those labels is this: the work is made to be lived with, not consumed. That means everything from colour depth to scale to texture has been considered, not just for aesthetic effect, but for emotional anchoring.
It’s built to hold space. Not just fill it.
The original paintings are not for sale, and here’s why
Every work in the catalogue began as a hand-painted piece in my studio. Some were painted through injury. Others were born during periods of collapse, silence, or private recovery. Or with pure joy. They were never created with a buyer in mind. They were created because I needed to survive something. Or express something. Or feel something.
Rather than selling those originals, I’ve chosen to offer them as canvas print editions, not because they’re lesser, but because they can be shared more widely, more accessibly, and with more care.
What you receive is not a diluted version of the original. It’s a continuation of it, handled, printed, stretched, and delivered with the same presence I built it with.
These are not mass-market prints. They’re legacy objects.
Format and size aren’t fixed, they’re flexible for a reason
In most online stores, you’ll find fixed sizes. 60 x 90 cm. 100 x 140 cm. It’s all transactional. All about product variation. The Vault doesn’t work like that.
Each piece in the catalogue is adaptable. It can be printed in square, portrait, or landscape format, depending on the original composition and the needs of your space.
Size ranges are given, typically from approx. 50 x 50 cm to 127 x 178 cm, but final dimensions are confirmed after we talk.
You don’t need to guess upfront. You don’t need to pick from a dropdown. You just need to feel what scale would hold your space best. That’s something we finalise together.
Let’s demystify the “limited edition” label
If a piece is marked limited edition, it means this:
There will only ever be 15 per size and finish
Once they’re gone, they’re gone
No reissues, no reprints, no artificial scarcity
These are tracked manually. You won’t see a counter. You won’t get emails reminding you that “3 are left.” That kind of pressure doesn’t belong here.
You’ll also see open edition pieces. These are available in more formats and sizes, with no strict cap. They’re still printed individually. Still museum-grade. Still emotionally resonant.
The difference isn’t in quality. It’s in boundary.
Limited editions create quiet rarity. Open editions allow wider access. Neither one is better. What matters is how the piece lives with you, not how many other people have it.
No cart. No one-click. No scarcity countdowns
There’s no checkout button on my catalogue. And that’s on purpose.
This isn’t a dropshipping operation. It’s not fast. It’s not transactional. You’re not supposed to click and commit in under 90 seconds.
Every purchase begins with a conversation. You reach out. We talk. We confirm details, size, finish, delivery timeline. And only then, if it still feels right, we go ahead.
This work is personal. Emotional. Slow.
It’s okay to want to sit with it. In fact, it’s better that way.
Price ranges are clear, and based on your choices
Let’s talk money.
Prices range from £1,500 to £8,000 depending on:
Format (square, landscape, portrait)
Edition (open or limited)
Size
Whether it’s stretched, rolled, or framed
Your location (as it affects framing/shipping options)
There are no hidden charges. No surprise invoices. And no punishment for asking.
If you’re interested in a piece but not sure if it’s within your budget, ask. We’ll talk through the options together. No pressure. No assumptions.
You don’t need to justify why a piece speaks to you
You’re allowed to love a piece without knowing why.
You’re allowed to want it even if your space isn’t ready, even if your words aren’t clear, even if you’re not sure how to talk about it with others.
This is work that listens. It doesn’t ask for explanation.
Most of my collectors don’t send long paragraphs about what the work “means.” They send quiet sentences like:
“I think I need this one.”
“I don’t know why this hurts but in a good way.”
“It reminds me of something I forgot.”
That’s enough. That’s more than enough.
Framing, stretching, and delivery, simplified
When you choose a piece, you’ll be asked how you’d like it delivered:
Rolled (for custom framing later)
Stretched (ready to hang, no frame)
Framed (float-mounted in natural oak, black, white, or gold, depending on location)
Some collectors prefer framing locally. Others want it ready to hang. Some want to place it first and frame later.
There’s no right or wrong. The choice is yours. I’ll guide you through what works best for your space, budget, and handling needs.
All works are shipped directly from the fine art printer. Every piece is handled by people, not systems.
My Offerings
Whether you’re a private collector, a wellness-focused brand, or a designer sourcing for a high-calibre project, I offer art that resonates deeply and subtly.
Collector's Vault
Curated canvas prints created from my original works—each one designed with emotional resonance and sustainable materials. Ideal for those creating meaningful spaces across the UK.
Soul on Canvas
Private commissions created from your story, your chapter, or your emotional intent. Made by hand. Printed once. Made to hold space for years to come.
The Last 10
Ultra-limited hand-embellished canvas works. Quietly released. Made to elevate, ground, or quietly command.
If you’ve never bought art before, that’s okay
Many of my buyers are first-time collectors. They’ve never bought a piece over £500. They’ve never commissioned anything. And they definitely didn’t grow up in homes where art was treated as something to invest in.
That’s okay. You don’t need experience. You need resonance.
If something in the catalogue spoke to you, even if the rest felt intimidating, that’s your sign. You’re allowed to take this seriously, even if it’s your first time.
Especially then.
You’re not buying art, you’re making your space more honest
This isn’t decor. This is anchoring.
The right piece doesn’t just look good, it changes how the room feels. It slows your breath. It stops your scrolling. It gives your nervous system a place to land.
That’s what this work is for.
Some collectors place their piece in a meditation corner. Others in offices. Others hang them across from their beds because “I needed something that could hold me while I slept.”
There’s no right place. There’s only what feels like home to your nervous system.
You can take your time. But the work won’t chase you
You are welcome to read the catalogue, think about a piece, and wait. You don’t owe me a decision. You don’t owe me a response.
But this work doesn’t send reminders.
If it’s meant for you, you’ll know. And when you’re ready to reach out, I’ll be here.
That’s what “invitation only” means. Not scarcity. Not secrecy. Just care.
A few real questions collectors have asked me
“Would it be weird to put this in my hallway?”
Not at all. Stillness belongs wherever you walk past yourself most often.
“Is it too intense for a therapy space?”
It depends on the piece, but many therapists and coaches have told me their clients sit longer, breathe deeper, and speak more freely when one of my works is nearby.“I love it but I’m not ready yet. Is that okay?”
Yes. The art is not going anywhere without you.
You are allowed to be here
If you’re still reading, that means you’ve already done something most people never do, you’ve taken your emotional response seriously.
This isn’t an article trying to convert you into a buyer. It’s a space to give you language, context, and calm.
So here’s what you can do next:
If something in the catalogue stayed with you:
Haven’t downloaded the Collector's Vault yet?
Request Private Catalogue Access
This isn’t about proving yourself. It’s about meeting yourself.
You don’t need to have the words. You just need to notice when something doesn’t let go.
That’s what this work is. And if it’s meant for you, it already knows where to land.